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The Word in Black and White: Reading "Race" in American Literature, 1638-1867



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This essay discusses how Anglo-American authors constructed "race" in their works from the time of the first British colonists through the period of the Civil War. Nelson focuses on eleven texts, ranging from widely-known to little-considered, that deal with the relations among N... Read more
Key Features
Nelson explores how Anglo-American authors constructed "race" in their works from the time of the first British colonists through the period of the Civil War
She shows how a novel such as The Last of the Mohicans sought to reify the Anglo historical past and simultaneously suggested strategies that would serve Anglo-Americans against Native Americans as the frontier pushed further west
Concluding her work with a reading of Harriet Jacobs's Incidents in the Life of a Slave Girl, Nelson shows how that text undercuts the racist structures of the pre-Civil War period by positing a revised model of sympathy that authorizes alternative cultural perspectives
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Features
Author Dana Nelson , Stephanie Nelson , Dana D. Nelson
Format Hardcover
ISBN 9780195065923
Publisher USA Oxford University Press
Manufacturer Oxford University Press, Usa
Description

Nelson provides a study of the ways in which Anglo-American authors constructed "race" in their works from the time of the first British colonists through the period of the Civil War. She focuses on some eleven texts, ranging from widely-known to little-considered, that deal with the relations among Native, African, and Anglo-Americans, and places her readings in the historical, social, and material contexts of an evolving U.S. colonialism and internal imperialism.

Nelson shows how a novel such as The Last of the Mohicans sought to reify the Anglo historical past and simultaneously suggested strategies that would serve Anglo-Americans against Native Americans as the frontier pushed further west. Concluding her work with a reading of Harriet Jacobs's Incidents in the Life of a Slave Girl Nelson shows how that text undercuts the racist structures of the pre-Civil War period by positing a revised model of sympathy that authorizes alternative cultural perspectives and requires Anglo-Americans to question their own involvement with racism.



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