194 products

Ivory Black: A good, all-purpose black that's a solid choice for mixing greys, tinting, and mixing with other colors. Slightly warm in its transparency with a weak tinting strength.Pigment: Bone black (PBk

Green Gold: For a modern pigment, Green Gold has a fairly muted, olive green masstone. Its most interesting quality is its warm, glowing transparency. Excellent for glazing. High tinting strength.Pigment: Azomethine Yellow

Rich Gold: Made from real metal powder and an alkyd resin binder, Rich Gold is rose gold. Use it in place of gold leaf, painted over Venetian Red. Excellent for painting frames.

Pressed from American flax seeds. This is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colours or as an ingredient in traditional

Mixed metal oxide from the early 19th century with an important place on the mineral palette because blues are rarely shifted to the cool, green side, like this one. Very muted in

An important colour for painters who prefer the direct painting techniques of the Impressionists. This mixed colour replaces the toxic arsenic-based original.Pigment: Chlorinated and bromated copper phthalocyanine, titanium dioxide, arylide yellow (PG36,

Manganese Violet: A good drying colour that makes a natural-looking tint, this warm, reddish, semi-transparent violet is made from the compound manganese phosphate, first discovered in 1868.Pigment: Manganese ammonium phosphate (PV 16)Vehicle:

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective semi-gloss surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear,

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic 'gesso'

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays

Dioxazine Purple: A cold colour with the strongest tinting strength and deepest transparency of all pigments, modern Diox is useful as a high key tint. This purple is so strong that some

Chromatic Black: A neutral, tinting black made from complementary colors rather than the usual carbon or iron oxide blacks.Pigment: Chlorinated and bromated phthalocyanine, quinacridone red b (PG36, PV19), Vehicle: Alkali refined linseed

Perfect transparent marriage of blue and green, this transparent Turquoise has high tinting strength and makes a high key tint. Excellent for painting tropical water.Pigment: Copper phthalocyanine, chlorinated copper phthalocyanine (PB15:2, PG

Portland Cool Grey: A middle-value, blue-grey. Ideal for reducing the chroma of violets, blues and greens. As shown above, mix Portland Cool Grey with Titanium Buff to create a green-grey or with

Transparent Earth Orange: A color prized by contemporary masters, this is a truly transparent version of Burnt Sienna. These new hydrated Mars colors give painters more clarity in transparency and higher tinting

Cadmium Orange Deep: A regular chromatic step between Cadmium Orange and Cadmium Red Light. The colour of day lilies in late summer. Chemically pure. No health labeling required.Pigment: Concentrated cadmium sulfo-selenide (PO

Radiant BluePigment: Ultramarine Blue, Titanium dioxide, (PB 29, PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUEpdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet

Cadmium Yellow Medium: Pure medium yellow with great opacity and naturally muted tint. This chemically pure cadmium colour replaced toxic chrome yellow for the Impressionists. Most useful for natural light painting.Pigment: Concentrated

A predictable mixed earthy green of the natural world that can be used opaquely.Pigment: Iron oxide, Arylide yellow, copper phthalocyanine (PBr 7, PY 74, PB 15:1)Vehicle: Alkali refined linseed oilLightfastness I, Series

Cadmium Red Medium: Darker than Cadmium Red Light. Useful medium red with strong opaque masstone and muted tint; light will not penetrate its surface.Pigment: Concentrated cadmium sulfo-selenide (PR 108)Vehicle: Alkali refined linseed