Across the Great Divide: A Photo Chronicle of the Counterculture



Across the Great Divide: A Photo Chronicle of the Counterculture
This excerpt from Across the Great Divide: A Photo Chronicle of the Counterculture by Roberta Price tells the story of Price's experiences living and working in communes in the early 1970s. Price spent nine years taking photos of commune life, and has selected a few of the most revealing images to be published in a visual memoir. The photos show residents of communes living self-sufficiently and w... more details
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  • Excerpt from Across the Great Divide: A Photo Chronicle of the Counterculture by Roberta Price Price spent nine years taking photos of commune life, and has selected a few of the most revealing images to be published in a visual memoir. The photos show residents of communes living self-sufficiently and working on communal projects, as well as the presence of electric guitars, amplifiers, and psychedelic art. Price's experiences in the communes reflect the great divide that separated Price and her friends from the families and neighbors they had grown up with.


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Features
Author Roberta Price
Format Hardcover
ISBN 9780826349576
Publisher University Of New Mexico Press
Manufacturer University Of New Mexico Press
Description
This excerpt from Across the Great Divide: A Photo Chronicle of the Counterculture by Roberta Price tells the story of Price's experiences living and working in communes in the early 1970s. Price spent nine years taking photos of commune life, and has selected a few of the most revealing images to be published in a visual memoir. The photos show residents of communes living self-sufficiently and working on communal projects, as well as the presence of electric guitars, amplifiers, and psychedelic art. Price's experiences in the communes reflect the great divide that separated Price and her friends from the families and neighbors they had grown up with.

In 1969 Roberta Price came west with her camera to see for herself what was going on in the communes that had begun to spring up in New Mexico and Colorado. Over the next nine years she took more than three thousand photos of commune life, and now she has selected the most revealing of these images for publication in a visual memoir that reflects on her experiences and invites us to contemplate the rural counterculture of her youth. Unlike most photographers of the day, Price joined Libre, one of the Colorado communes, and lived there for seven years. Her photo documentation of her years at Libre provides a unique view of commune life through the eyes of a participant. We see the residents building homes, raising families, and celebrating community. Roberta Price's many photographs of Drop City, New Buffalo, Reality Construction Company, Libre, and other southwestern communes capture long-haired men, women in self-made peasant attire, psychedelic art, sheaves of marijuana, cast-iron stoves, and preindustrial agricultural practices visual evidence of the great divide that separated Price, her friends, and associates from the families and neighbors among whom they had grown up. The photos also reveal the presence of record players, amplifiers, and electric guitars, along with a staggering array of architectural and interior design, and visits by such iconoclasts as Ken Kesey, Peter Orlovsky, and Allen Ginsberg.

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