Description
Elizabeth Blackadder has been respected as a printmaker for over four decades and, during that time, has experimented with a range of diverse media including lithography, etching, aquatint, drypoint, woodcut, and screenprint. Christopher Allan examines these media one by one to reveal how Blackadder has successfully exploited the characteristics of each printmaking method to create a range of original prints. Her work is presented thematically and this approach reveals her constant interest in still-life composition, and her interpretations of the natural world, from landscapes to animals. The broad chronological approach of the introductory essays also charts her process in printmaking. This book is the first to illustrate and catalog every published print made by Blackadder from the 1950s to the present day.
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