Description
This essay discusses how literature has responded to 9/11, and how the various discourses involved can be combined.
Drawing on trauma theory, genre theory, political theory, and theories of postmodernity, space, and temporality, "Literature After 9/11" suggests ways that these often distinct discourses can be recombined and set into dialogue with one another as it explores 9/11's effects on literature and literature's attempts to convey 9/11.
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