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Watching With The Simpsons: Television, Parody, And Intertextuality



Watching With The Simpsons: Television, Parody, And Intertextuality
The book "Watching with The Simpsons: Television, Parody, and Intertextuality" by Jonathan Gray discusses the textual and social role of parody in offering critical commentary on other television programs and genres. The book focuses on how "The Simpsons" has been able to talk back to three of television's key genres - the sitcom, ads, and the news - and on how it holds the potential to short-circ... more details
Key Features:
  • Explores the textual and social role of parody in offering critical commentary on other television programs and genres
  • Focuses on how "The Simpsons" has been able to talk back to three of television's key genres - the sitcom, ads, and the news - and on how it holds the potential to short-circuit these genre's meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations.


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Features
Author Jonathan Gray
Format Paperback
ISBN 9780415362023
Publisher Routledge
Manufacturer Routledge
Description
The book "Watching with The Simpsons: Television, Parody, and Intertextuality" by Jonathan Gray discusses the textual and social role of parody in offering critical commentary on other television programs and genres. The book focuses on how "The Simpsons" has been able to talk back to three of television's key genres - the sitcom, ads, and the news - and on how it holds the potential to short-circuit these genre's meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations.

Using our favorite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. In this book, Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. As a study, including primary audience research, it focuses on how The Simpsons has been able to talk back to three of television's key genres - the sitcom, ads, and the news - and on how it holds the potential to short-circuit these genre's meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. Through examining television and media studies theory, the text of The Simpsons, and the show's audience, Gray attempts to fully situate the show's parodic humor within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainment television - and particularly comedy- to discuss issues of political and social importance.

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