Description
This essay discusses the primacy of the literary character in the works of Luigi Pirandello. It argues that all of Pirandello's characters are in a continual performance that transcends distinctions between narrative and dramatic forms.
A study of Pirandello's writings discussed in a European context. It explores the primacy of the literary character in a process which is necessarily conflictual, arguing that all Pirandello's characters are in a continual performance transcending distinctions between narrative and dramatic forms.
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