Discusses how film theory has been influenced by critical thought and how, since 1968, it has been concerned not so much with theme and content as the deeper question of how the film text works, or operates, on its viewer. more details
Discusses how film theory has been influenced by critical thought and how, since 1968, it has been concerned not so much with theme and content as the deeper question of how the film text works, or operates, on its viewer.
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