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NOVICA Grey Archaeological Ceramic Sculpture 6.75" Tall Goddess Chalchiuhtlicue'



NOVICA Grey Archaeological Ceramic Sculpture 6.75" Tall Goddess Chalchiuhtlicue'
This is a description of a NOVICA Grey Archaeological Ceramic Sculpture 6.75" Tall Goddess Chalchiuhtlicue' made by Angel Ceron. The sculpture is an official replica of a pre-Hispanic museum piece and is signed by the artist. more details
Key Features:
  • Authentic replica of a pre-Hispanic museum piece
  • Signed by the artist


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Manufacturer NOVICA
Description
This is a description of a NOVICA Grey Archaeological Ceramic Sculpture 6.75" Tall Goddess Chalchiuhtlicue' made by Angel Ceron. The sculpture is an official replica of a pre-Hispanic museum piece and is signed by the artist.

NOVICA, in association with National Geographic, works together with talented artisan designers around the world to produce stunning, keepsake treasures. Our mantra is to spread global happiness, so rest assured - well do everything we possibly can to ensure youre a happy customer. About this item: Angel Cer*n reveals the presence of Chalchiuhtlicue as he works with clay extracted from the state of Oaxaca. Officially authorized to replicate pre-Hispanic museum pieces, Cer*n crafts a detailed statuette of this feminine deity, the female companion of Tlaloc, Aztec god of rain. The original is dated between 1325 and 1521 A.D. Chalchiuhtlicue is the goddess of lakes, rivers, fountains, seas and oceans, and thus the protector of sailors and is also known as "She with the Jade Skirt" symbolizing pure and crystalline running water. "Chalchiuhtlicue is usually depicted holding a staff representing lightning, and a bag of copal, where clouds are formed. She is revered as the female principle of life and patron of midwives and newborns," explains Cer*n who though he has officially retired, he continues to pursue his life-long passion for pre-Hispanic art. - Museum replica(s) - Signed by the artist About our Artist: Angel Ceron comes from a family with generations of artisan experience. He learned the family ceramic techniques from his father, Antonio Ceron Orta, a renowned artisan. Angel began a long study of Mexico's pre-Hispanic cultures and learned the Nahuatl language spoken in ancient Mesoamerica. He uses clay from northern Oaxaca state, the only clay of this kind in Mexico and perhaps in the world. The unique characteristics of this yellow clay make it ideal for his work.

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