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The United States took the lead in modern dance innovation during the 1960s when artists such as Martha Graham, Josse Limbon, Paul Taylor, Alvin Aeiley and Alwin Nikolais overwhelmed European audiences. Subsequently,
Live Art in LA explores the histories and legacies of performance art in Southern California in the 1970s and early 80s. Peggy Phelan documents and critically examines one of the most productive
Looks at dance in Germany, France, and the United States during the 1920s and the 1930s, including ballet, modern dance and dance in the cinema and Revue. Artists examined include Josephine Baker,
Provides an analysis of the ethical dimension of performance enhancing drugs in international sport. This book reviews the literature in this complex field.

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