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No other society wrote about itself so fervently - and so often - so wittily as did that of 19th century Paris. Through diaries, letters, memoirs, and above all, the music periodicals
Analysing over 100 recordings from 1945-1975, this book examines 20th-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's "Passions", "Brandenburg Concertos" and "Goldberg Variations". Dorottya Fabian
Sir Thomas Beecham is often described as having 'championed' the music of Frederick Delius, and this is no exaggeration. From the moment he heard Delius's music as a young man, Beecham was
Thai classical singing is a genre that blossomed during the golden age of music in the royal court at Bangkok during the 19th century. It took a variety of forms including unaccompanied
The concept of stylus phantasticus (or 'fantastic style') as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background

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