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PY40. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content. A transparent straw-ochre yellow with strange yet rich greenish undertones.
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Oil Colour - Aureolin 40ML
PR 188. Average Drying. Semi-Opaque. Excellent Lightfastness. High Oil Content.A well-established organic pigment, Naphthol Red HF3S, which can be used transparently or opaquely according to choice. In unmixed state it is a
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Oil Colour - Napthol Red 40ML
PB15.3 Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.A Chlorinated Copper invented in 1935, this was one of the first synthetic organic pigments to be accepted as reliably permanent. It is sometimes
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Oil Colour - Phthalo Blue Lake 60ML
PW6& PW4. Average Drying. Very Opaque. Lightfastness Excellent. Very Low Oil Content. High tintpower. Non-toxicThis paint is bound with Linseed Oil and contains a 25% addition of Zinc Oxide White in order
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Oil Colour - Titanium White 2 60ML
PY83 & PR101. Fast Drying. Transparent. Very Good Lightfastness. High Oil Content.Same as Indian Yellow but with the addition of an Iron Oxide pigment used in wood dyes, which gives a very
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Oil Colour - Indian Yellow Red 40ML
PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.Another blend of organic lake colours ( Arylide yellow and Phthalo Green) with the two whites to give
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Oil Colour - Emerald Green 40ML
PY83. Average Drying. Transparent. Very Good Lightfastness. High Oil Content. Diarylide Yellow HR, a synthetic organic lake which replaces the very organic, legendary, but long obsolete euxanthic acid (made by warming the
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Oil Colour - Indian Yellow 40ML
PV16. Average Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.Manganese Ammonium Pyrophosphate, a heavy, bold Violet which was first made in Germany in 1868; one of the mid-19th century wave of synthetic inorganic
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Oil Colour - Manganese Violet 40ML
PR 108. Fast Drying. Opaque. Excellent Lightfastness. Low Oil Content.A cooler, plummier red in the Cadmium range which yields maroon hues and which can be used to make heavy, greenish blacks when
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Oil Colour - Cadmium Red 40ML
Colour: Michael Harding ViridianPigment Index: PG18Semi
OpaqueLightfastness: ExcellentPrice Series: 5Landscapists and some
portraitists still prefer this colour to the strong power of the
Phthalo Greens. An interesting range of blue-greys are produced
when combined with reds.Michael
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Oil Colour - Viridian S5 40ML
PR 122. Average Drying. Transparent. Excellent Lightfastness. High Oil Content.Quinacridone Y, a very lightfast organic pigment, with strong bluish overtones which shine through if it is used as a glaze. When made
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Oil Colour - Magenta 60ML
PBr 7. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.A version of Burnt Umber which has heavier and more greenish undertones than the Red variant. This is the colour in its
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Oil Colour - Burnt Umber 225ML
PBR 7. Quick drying, ground in linseed oil.Italian Green Umber is a deep, earthy green that is both warm and semi-transparent. This product is the dream of the plein air painter as
PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic
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Oil Colour - Prussian Blue 60ML
PV16. Average Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.Manganese Ammonium Pyrophosphate, a heavy, bold Violet which was first made in Germany in 1868; one of the mid-19th century wave of synthetic inorganic
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Oil Colour - Manganese Violet 60ML
PY42. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.A synthetic Iron Oxide in a beautifully rich shade, with very dense warm undertones. A good modelling pigment, which works well into yellow
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Oil Colour - Yellow Ochre Deep 60ML
PG19. Fast Drying. Semi-Opaque. Excellent Lightfastness. Low Oil Content.A heavy, dense blue-green, with low tint power, introduced, with so many inorganic metallic pigments, 1830-40. It is a compound of Cobalt and Zinc
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Oil Colour - Cobalt Turquoise 40ML
PY31. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content. TOXIC.Sometimes known as Barium Yellow, this is Barium Chromate, introduced into painting after the Lead Chromates, circa 1820. Unlike them, it has proved
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Oil Colour - Lemon Yellow 60ML
PBk 9 & PB 29 & PY 42. Average Drying. Semi-Opaque. Excellent Lightfastness. High Oil Content.A blend of Ivory Black, Ultramarine and Iron Oxide Yellow, which gives a markedly cool black substitute.
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Oil Colour - Paynes Grey 225ML
PG7. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.Polychloro Copper Phthalocyanine probably ties with Phthalo Blue as the strongest pigment in the range. Atomic tint power, add it with great care! Ferocious
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Oil Colour - Phthalo Green Lake 60ML
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