245 products in Office

PY42. Very Fast Drying. Opaque. Excellent Lightfastness. Average Oil Content.A higher-keyed and more greeny-gold shade of manufactured Iron Oxide. It hues well to yield mustardy yellows quite close to Genuine Naples Yellow

PG17. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.Another mid-19th century metallic oxide, with covering power but not much tinting strength. It is a heavy, vegetable green which can be surprisingly enlivened

PG36. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.A variant of the Phthalo Green compound with a greater range of gingery yellow undertones which are immediately apparent in hues. This is due

PY74. Slow Drying. Transparent. Very Good Lightfastness. High Oil Content.One of the oldest established organic lakes, Arylide Yellow G, this is a warmer version of Bright Yellow Lake, with similar properties. Deceptively

PBk 9. Average Drying. Semi-Opaque. Excellent Lightfastness. High oil Content.An impure amorphous Carbon in Calcium Phosphate, Ivory Black is no longer made from burning ivory scraps, but from charred animal bones. It

PBk 9 & PB 29 & PY 42. Average Drying. Semi-Opaque. Excellent Lightfastness. High Oil Content.A blend of Ivory Black, Ultramarine and Iron Oxide Yellow, which gives a markedly cool black substitute.

PY42. Very Fast Drying. Opaque. Excellent Lightfastness. Average Oil Content.A higher-keyed and more greeny-gold shade of manufactured Iron Oxide. It hues well to yield mustardy yellows quite close to Genuine Naples Yellow

PBr 7. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.A version of Burnt Umber which has heavier and more greenish undertones than the Red variant. This is the colour in its

PY35. Fast Drying. Opaque. Excellent Lightfastness. Low Oil Content.A unique shade of Cadmium Sulphide which bridges the yellow/orange frontier with a pigment that seems destined to be mixed with the earths, ochres

PBR 7. Quick drying, ground in linseed oil.Italian Green Umber is a deep, earthy green that is both warm and semi-transparent. This product is the dream of the plein air painter as

PV15. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.A variant of Ultramarine pigment, achieved when slightly altering the manufacture of the blue shade, Sodium Sulphosilicate, by heating it with Chloride. The result

PY42. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.A synthetic Iron Oxide in a beautifully rich shade, with very dense warm undertones. A good modelling pigment, which works well into yellow

PY35. Fast Drying. Opaque. Excellent lightfastness. Low Oil Content.Cadmium Sulphide, but with a greater degree of calcination than that used for the Cadmium Lemon Yellow, producing a very dense and lean mid-shade

PY3 & PG36 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

PG36. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.A variant of the Phthalo Green compound with a greater range of gingery yellow undertones which are immediately apparent in hues. This is due

PBr 7.Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.One of the fundamental Earths used as an Imprimitura pigment to draught out compositions on a Raw Sienna ground, as many Rubens sketches

PBk 9. Average Drying. Semi-Opaque. Excellent Lightfastness. High oil Content.An impure amorphous Carbon in Calcium Phosphate, Ivory Black is no longer made from burning ivory scraps, but from charred animal bones. It

PBr 7. Very Fast Drying. Transparent. Excellent lightfastness. Average oil Content.This pigment had lighter and redder characteristics than those it assumed when manufacture in bladders, and then tubes, began a century later.

PO 73. Average Drying. Semi Opaque. Excellent Lightfastness. High Oil Content. High Tint Power.This is a powerful, organic, fruity red-orange that has excellent lightfastness (was Orange Lake).

PBk 9. Average Drying. Semi-Opaque. Excellent Lightfastness. High oil Content.An impure amorphous Carbon in Calcium Phosphate, Ivory Black is no longer made from burning ivory scraps, but from charred animal bones. It