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Gamsol is the safest solvent that allows oil painters to utilise all traditional painting techniques without compromise.Primary Uses for Gamsol:Thinning oil colours. A little goes a long way; stiff oil colours relax immediately when a
A great glazing colour, warm Ultra Blue is one of the few mineral colours that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to
Warm White: Perfect for painters working in warm light situations, such as painting at sunrise or sunset. Based on our Titanium Zinc White formula, it has a perfect balance of yellow and
Alizarin Permanent: Cool, slightly bluish red with smoky glaze. Robert Gamblin has mixed lightfast pigments to form a true replacement for Alizarin Crimson. Slightly less intense in tint, but excellent match in
Titanium White: Reflecting 97.5% of all available light, this most opaque white is the perfect choice for direct painting. Monet would have loved it because he wanted his paintings to look soft,
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour
Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and
Phthalo Blue: Warm blue first made for printmaking ink (cyan) to replace Prussian Blue in the 1920's. With clean, pure masstone and transparency, Phthalo Blue, like all modern colors, has high tinting
Portland Warm Grey: A middle-value, red-grey. Ideal for reducing the chroma of reds, oranges and yellows. As shown above, mix Portland Warm Grey with Titanium Buff to create an orange-grey or with
A medium, semi-transparent blue. Other Series 2 blues are transparent, so Robert Gamblin formulated this colour for painters looking for more opacity at a reasonable price. Cerulean Blue Hue has a higher
Burnt Umber: Vigorous drier due to high manganese content. Burnt Umber is useful as an underpainting drawing color. Because of high oil content, use thinly in under layers.Pigment: Calcined natural iron oxide,
Burnt Sienna: Natural calcined (roasted) earth pigment. More opaque today than 200 years ago. For greater transparency, consider Gamblin Transparent Earth Colors and Van Dyke Brown.Pigment: Calcined natural iron oxide (PBr 7)
Radiant VioletPigment: Dioxazine Purple, Titanium dioxide, (PV 23, PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUEpdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet
Transparent Earth Red: This is a truly transparent version of Venetian Red. Add a small measure of a cool red like Alizarin Permanent or Diox Purple to adjust color for Indian Red.Pigment:
Gamblin Flake White Replacement: The first true nontoxic alternative to Flake White. It's the leanest of the Gamblin whites and a terrific underpainting white. Its beautiful opalescent quality is of special interest
Gamblin Flake White Replacement: The first true nontoxic alternative to Flake White. It's the leanest of the Gamblin whites and a terrific underpainting white. Its beautiful opalescent quality is of special interest
Indanthrone Blue: An excellent, all-purpose blue with a beautiful, smoky glaze.Pigment: Indanthrone (PB60) Vehicle: Alkali refined linseed oil Lightfastness I, Series 3, SEMI-TRANSPARENTpdf=Gamblin Artists Oil Indanthrone Blue Data Sheet.pdf Gamblin Artists
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