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This book provides an extensive history of British television, exploring a range of genres, from breakfast news to soap operas and 'reality TV' and analysis TV scheduling and listings.
Views television drama from a cultural studies perspective, examining the active agency of both viewers and media practitioners. Tulloch looks at genres such as soap opera, science fiction, sitcoms and police series.
A collection of essays which address, with varying degrees of explicitness, the assumptions from which media analysts and communication scholars have customarily approached television. It focuses on the impact of new technologies
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