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I'm back on Boogie Street, declares Leonard Cohen on two
different songs in this collection, titled with characteristic
understatement Ten New Songs. (Previous album titles have included
Songs of Leonard Cohen, Songs from a Room, and Recent Songs.) More
poet than musician, Cohen has, since his e...
I'm back on Boogie Street, declares Leonard Cohen on two<br />
different songs in this collection, titled with characteristic<br />
understatement Ten New Songs. (Previous album titles have included<br />
Songs of Leonard Cohen, Songs from a Room, and Recent Songs.) More<br />
poet than musician, Cohen has, since his early albums, tended to<br />
rely on collaborations with musicians to put together his music:<br />
John Lissauer on 1974's New Skin for the Old Ceremony, Henry Lewy<br />
on 1979's Recent Songs, and, notoriously, Phil Spector on 1977's<br />
Death of a Ladies' Man.
I'm back on Boogie Street, declares Leonard Cohen on two
different songs in this collection, titled with characteristic
understatement Ten New Songs. (Previous album titles have included
Songs of Leonard Cohen, Songs from a Room, and Recent Songs.) More
poet than musician, Cohen has, since his early albums, tended to
rely on collaborations with musicians to put together his music:
John Lissauer on 1974's New Skin for the Old Ceremony, Henry Lewy
on 1979's Recent Songs, and, notoriously, Phil Spector on 1977's
Death of a Ladies' Man.
I'm back on Boogie Street, declares Leonard Cohen on two
different songs in this collection, titled with characteristic
understatement Ten New Songs. (Previous album titles have included
Songs of Leonard Cohen, Songs from a Room, and Recent Songs.) More
poet than musician, Cohen has, since his early albums, tended to
rely on collaborations with musicians to put together his music:
John Lissauer on 1974's New Skin for the Old Ceremony, Henry Lewy
on 1979's Recent Songs, and, notoriously, Phil Spector on 1977's
Death of a Ladies' Man.
