Description
A dazzling new collection by a much-celebrated former Poet Laureate of the United States. In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos," which probes the private griefs and dreams of a working-class family, to the emblematic grace of a living legend like Rosa Parks, who acquiesced to public life in order to "serve the public good," these poems explore the intersection of individual fates with the grand arc of history. If there are heroes, Dove maintains, they continually reinvent themselves, as each of us must do every morning. As always with Rita Dove, there are stories --ghost tales and cautionary allegories ("The Camel Comes to Us from the Barbarians"), anecdotes and the historical moment reexamined ("The Enactment"). We get the lowdown nitty-gritty from a jitterbug queen ("Black on a Saturday Nightz"), eavesdrop on a child's whisperings ("I Cut My Finger Once on Purpose"), and experience the awakening of a bored teenager to the world of books. Whether parable or meditation, confession or praise, these poems remind us just how infinitely various a creature the human being is.
If you find memoirs more immediate than contemporary poetry, novels more compelling, history more vivid, then you haven't read Rita Dove. A former poet laureate of the United States, Dove is at the height of her powers in
On the Bus with Rosa Parks. Her range is extraordinary. The opening "Cameos" sequence reads like a compressed colloquial epic of one hard-up but lively family--Lucille with her "bright and bitter" eyes, her wandering husband, Joe, their bookish son and seven daughters ("their / names fantastic, myriad / as the points of a chandelier"). There are magnificent occasional pieces--"Incarnation in Phoenix" on breastfeeding a newborn ("I'm not ready for this motherhood stuff"); "Against Self-Pity" ("pure misery a luxury /one never learns to enjoy"); "The First Book" ("Dig in: / You'll never reach bottom"). "Rosa," the centerpiece of the title sequence, reads almost like haiku as Dove captures Rosa Parks's historic act of refusal in 12 taut lines. And then there are poems that stand alone for their unique electrifying strangeness: "The Venus of Willendorf," in which Dove ponders the ancient sacred mystery of man's worship of the female body, and "Lady Freedom Among Us," in which Freedom is incarnated as a bag lady--"she who has brought mercy back into the streets / and will not retire politely to the potter's field." Of the many notes that Dove hits in this volume, the most welcome is pure unadulterated delight, as in "Dawn Revisited": "Imagine you wake up / with a second chance..." Imagine: Dove has done the hard part. All we have to do is open this splendid volume, sit back, and enjoy the ride.
--David Laskin
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