Nk Guy: Art Of Burning Man

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Nk Guy: Art Of Burning Man

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Nk Guy: Art Of Burning Man

Art Ablaze Pyrotechnics and pure self-expression at Burning Man One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years...
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Nk Guy: Art Of Burning Man
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<strong>Art Ablaze</strong><br/> Pyrotechnics and pure self-expression at Burning Man<br/><br/> One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the <strong>Black Rock Desert</strong>. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a <strong>temporary city rises out of the barren clay</strong>.<br /><br /> This is the surreal and amazing site of <strong>Burning Man</strong>. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: <strong>temporary community, spiritual adventure, performance stage, desert rave, social experiment</strong>. Its also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself?a skeletal sculpture set ablaze at the events conclusion.<br /><br /> In this <strong>updated edition</strong> with fresh images, writer and photographer <strong>NK Guy</strong> presents <strong>16 years of Burning Man art</strong>. His dazzling images record these <strong>participatory, collective, intrinsically ephemeral </strong>installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the most<strong> pure, uninhibited, expressive centers of our time</strong>.

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Features

Format

Hardcover

ISBN

9783836572132

Pages

294

Art Ablaze
Pyrotechnics and pure self-expression at Burning Man

One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.

This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. Its also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself?a skeletal sculpture set ablaze at the events conclusion.

In this updated edition with fresh images, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the most pure, uninhibited, expressive centers of our time.
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Art Ablaze
Pyrotechnics and pure self-expression at Burning Man

One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.

This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. Its also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself?a skeletal sculpture set ablaze at the events conclusion.

In this updated edition with fresh images, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the most pure, uninhibited, expressive centers of our time.

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