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Colour: Michael Harding Lead Tin Yellow LemonPigment Index: N/AOpaqueLightfastness: ExcellentPrice Series: 5This is a very vivid 'sulphury' shade of yellow that, like its lighter version, is especially useful for portraits.Michael Harding Oil Colours are among the
Safflower oil is a pale, slow-drying oil which can be used to brighten and thin oil paints. As it is a paler yellow than linseed oil, paler pigments (whites and pale blues especially) maintain their
Alkali refined linseed oil is a pale oil extracted from the seeds of the flax plant. It is used in many of Michael Harding's paints because it produces the strongest paint film during the
6 x 40ml tubes of the following colours:1 x Warm White (PW 6, PW 4 & PY 42, Average Drying Speed, Excellent Lightfastness, Opaque/High Tint Power, Low Oil Content)1 x Yellow Lake (PY 74, Slow
This set provides a range of six colours and includes Warm White, a non-toxic, lead-free alternative to Lead White, which is currently banned in the European Union. The set contains Warm White Series 1, Warm
Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please
Colour: Michael Harding Warm White (Lead White Alternative)Pigment Index: PY42 PW6OpaqueLightfastness: ExcellentPrice Series: 1This warm and opaque white is excellent for artists who want a lead like paint. Great mixing colour. Michael Harding Oil Colours
Colour: Michael Harding Warm Light YellowPigment Index: PY44 PW6OpaqueLightfastness: ExcellentPrice Series: 2This soft colour is perfect for mixing colours, using in portraits landscapes and non-figurative works.Michael Harding Oil Colours are among the finest oil paints available
Michael Harding Refined Walnut Oil dries at the same rate as linseed oil, but it does not yellow as much. Michael Harding use it as the binder for their lead whites where the brightness
Michael Harding Refined Walnut Oil dries at the same rate as linseed oil, but it does not yellow as much. Michael Harding use it as the binder for their lead whites where the brightness
Alkali refined linseed oil is a pale oil extracted from the seeds of the flax plant. It is used in many of Michael Harding's paints because it produces the strongest paint film during the
Colour: Michael Harding Warm Light YellowPigment Index: PY44 PW6OpaqueLightfastness: ExcellentPrice Series: 2This soft colour is perfect for mixing colours, using in portraits landscapes and non-figurative works.Michael Harding Oil Colours are among the finest oil paints available
Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please
Michael Harding Refined Walnut Oil dries at the same rate as linseed oil, but it does not yellow as much. Michael Harding use it as the binder for their lead whites where the brightness
Colour: Michael Harding Warm Light YellowPigment Index: PY44 PW6OpaqueLightfastness: ExcellentPrice Series: 2This soft colour is perfect for mixing colours, using in portraits landscapes and non-figurative works.Michael Harding Oil Colours are among the finest oil paints available
Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it
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10 x 40ml tubes including the following colours:1 x Unbleached Titanium Dioxide (PW 6.1, Fast Drying Speed, Opaque, Excellent Lightfastness, Low Oil Content)1 x Warm White (PW 6, PW 4 & PY 42, Average Drying
Safflower oil is a pale, slow-drying oil which can be used to brighten and thin oil paints. As it is a paler yellow than linseed oil, paler pigments (whites and pale blues especially) maintain their
Safflower oil is a pale, slow-drying oil which can be used to brighten and thin oil paints. As it is a paler yellow than linseed oil, paler pigments (whites and pale blues especially) maintain their
Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it
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